Fatima Michelle Vieuchanger: Continued to use disguises and
pseudonyms in her stories and
books following her notoriety during the 1991 Persian Gulf War, or “Bush's Slaughter” as she later called it. In
1993-94, she published a serialized version of Masquerading at Shower-Lourdes in
L'Express Marrakech, detailing
her experiences disguised as a mob moll, Miami Jew, Algerian terrorist, and fat woman reading The New Yorker. In
the Original Paperback that followed, Vieuchanger brought Rosellini's legendary 1737 mechanical pig to public
attention for the first time this century, albeit for a very small audience, and very late in the century
(likewise, her Interactive CD monograph On the Holodeck with Rosellini's 1737 Mechanical
Pig received an
enigmatic review from Reginald Barclay in POMO Media Studies but unfortunately went
quickly out of print). By
the late ‘90s Vieuchanger almost wondered out loud whether she ought to be spending more time with her
preadolescent son Mohammed, who attended private school in Casablanca. Behind the scenes, she pondered the
fragility and tenuous nature of interpersonal relations, the extent and limits of human interdependence, the
role of religion in postmodern society, and the shrinking space available on international flights for carry-on
luggage.
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